The Winter 2015 issue of Prism International (Vol. 53, No. 2) is hot. Yes, we’re especially fond of the National Magazine Awards winners seal that adorns the cover, acknowledging writer Pasha Malla‘s silver medal for fiction (“The Actual” from Prism 51:3) at last year’s NMA gala.
The new issue features creative non-fiction by National Magazine Award winners Ayelet Tsabari–recent winner of the Sami Rohr prize–and Liz Windhorst Harmer, among others. And an impressive menu of short fiction and poetry, including a piece by NMA winner Alice Major.
You can find the new issue in select bookstores and literary newsstands, or online from the Prism store.
The 2014 edition of Best Canadian Essays has been released this month from Tightrope Books, edited by Christopher Doda and Natalie Zina Walschots.
Like previous years, the book of Best Canadian Essays 2014 features many National Magazine Award-winning writers from last year’s gala, as well as earlier years.
Dan Tysdal’s fiction piece, “Year Zero,” was published in the multiple NMA-winning magazine, Prairie Fire.
D.W. Wilson has received four awards within the fiction category, with three Honourable Mentions at the 2010 gala and a Silver Award for his piece The Elasticity of Bone in 2008.
Naomi K. Lewis’ essay, The Assault on Science, was published in NMA-winning magazine, Alberta Views. In 2011, she won an Honourable Mention in Health & Medicine for The Urge to Purge (Alberta Views).
Check out the complete list of essays by ordering the 2014 book from Tightrope Books.
Special thanks to Leah Jensen for compiling this post.
Video trailers for magazine issues are becoming increasingly popular, and this one from National Magazine Award-winning humour & literary magazine The Feathertale Review caught our eye today.
Check out the new issue. For more about Feathertale, check out our recent interview with founder and editor Brett Popplewell.
The submissions deadline for the National Magazine Awards is January 19. Don’t miss it!
Off the Page is a regular interview series produced by the National Magazine Awards Foundation. Today we chat with Jennifer Morse, general manager of Legion Magazine, winner of the National Magazine Awards for Investigative Reporting and Service: Health & Family at this past year’s gala.
NMAF: Tell us a bit about Legion and its readers.
Jennifer: Legion is an independent magazine and one of Canada’s oldest continuously published magazines, founded in 1926. Our mandate is straightforward: Bring the stories of Canada to as many Canadians as we can, with a focus on Canadian military history and issues facing members of the military, veterans, their families and communities. We blend a mix of stories—often by some of Canada’s top historians—with iconic images, using words and pictures to excite Canadians about their history.
We’re not a magazine that is focused just on profit. We have a small, dedicated staff and a budget—like many magazines—that is limited. But we’re passionate. We have a readership, including print and online audiences, of more than 640,000, which is wonderful. Our readers really trust us to deliver quality journalism.
NMAF: Earlier this year, Legion Magazine’s commitment to excellent journalism was recognized with two Gold National Magazine Awards: one in Service: Health & Family (“Lest We Forget,” which is about veterans struggling with PTSD) and the other in Investigative Reporting (“One Martyr Down,” the incredible story of the death of a Canadian soldier serving with UN Peacekeepers in Lebanon during the Israel-Hezbollah war of 2006). How do these stories exemplify Legion’s publishing mandate, and what kinds of responses have you received from readers about these stories and/or the awards?
Jennifer: There has been an overwhelming response. In the last couple of years we’ve made a commitment to publish more longform journalism, which is difficult for publishers; obviously it’s more expensive. But these stories really exemplify our mandate and we want to pursue them no matter how difficult or how limited the resources are.
On those stories in particular we received a great deal of feedback from a cross-section of readers, both military and civilian—lots of letters and comments on Twitter and social media, and it’s great to get that kind of participation. People feel like it’s their story, too. There are a lot of challenges facing Canada’s veterans and a lot of debate about benefits for veterans. Sharon [Adams] really got to the heart of this in the PTSD story and another one [“Collateral Damage: Families in the Wake of War,” which won Honourable Mention at the National Magazine Awards]. These stories have been talked about in Parliament and the Senate; they are stories that may help lead to change. The recent announcement [that the government will commit $200 million to military mental-health care and benefits] I think had a lot to do with Legion’s work.
When we won the National Magazine Awards, lots of people—readers—contacted us to congratulate our writers and the magazine. These were the first two National Magazine Awards we’d ever won, and it was great for morale in the office. We already knew these stories were important to tell, and the awards and response put a stamp on it. I think readers felt like it was partly their award, too. We were very delighted.
NMAF: Is there a measurable impact that winning a National Magazine Award has on the business of Legion Magazine, and where do you see this?
Jennifer: I read a statistic recently about how magazine newsstand sales are soft, down 23% combined in 2012 and 2013. We all know there are challenges out there for publishers. We’ve fortunately had the opposite result over the last two years in that we’ve experienced growth in both direct circulation and advertising.
It’s not always easy for a special-interest magazine such as Legion to succeed on the newsstand. Our special “Normandy” issue was on newsstands when the National Magazine Awards were announced, when we received a lot of news and feedback. And that issue has become one of our best sellers, the top one or two issues of all time. We are also seeing a pick-up in subscriptions via newsstand copies, and we’re forecasting a 14% increase in the second half of this year. Is it related to the awards we won—let’s hope so, but I think absolutely there has been a great impact, and we are thrilled.
NMAF: This time of year is especially significant to Canadian veterans, with Remembrance Day and the WWI anniversary, not to mention the recent attacks on members of the armed services in Ottawa and Quebec. What is Legion presenting to its readers right now?
Jennifer: In our November-December issue on newsstands now, we have a profile on Julian Fantino, and about the growing frustration of veterans about government neglect. I think the level of frustration being felt is unprecedented and we wanted to address that in the story. Our editorial addresses the Veterans’ Affairs
We want to put these stories in context, to present the facts for our readers, because they are important stories to Canadians. And in a future issue we’ll be covering more of the story about the attack on Parliament Hill.
NMAF: Who should be reading Legion magazine that isn’t right now?
Jennifer: Every single Canadian! A reader recently told me he bought the special Normandy issue for his 90-year-old father, a veteran of the Second World War, who said he found it so satisfying to read something truly about Canada. We’re a country with our own story. I think Legion should be read in classrooms, in senior centres, and anywhere people want to discuss what we’re doing as a country, whether we’re doing it wrong or right. We know there is an appetite for stories like Legion presents, and our readers love the discoveries they make.
Legion Magazine is published six times per year in English with a French insert. In addition to its two National Magazine Awards, Legion also won a Silver Award in Audience Development in 2014 from the Circulation Management Association of Canada for its “Victoria Cross” special issue. Find out more at legionmagazine.com and on Twitter @Legion_Magazine. Check out Legion’s holiday subscription offer for a chance to win a free Apple iPad Air.
This interview was edited for length and clarity.
Read more Off the Page interviews with National Magazine Award winners.
The 2014 National Magazine Awards are now open for submissions. Early-bird deadline: January 11.
Recently the literary journal Echolocation published a great interview with Jess Taylor about her National Magazine Award-winning short story, “Paul,” the challenges of writing and her pursuit of a book project: the story collection Pauls will be published in 2015 by BookThug.
The interview was conducted by Liz Windhorst Harmer, herself a National Magazine Award winner earlier this year for Personal Journalism (“Blip,” published in The Malahat Review).
In this excerpt from the interview, Liz and Jess discuss the “hard place,” the core of the writerly being from which the literary art emerges.
Liz: What is exciting to watch as far as your “emerging” (a word with multiple meanings, it seems to me!) career, is just how many things you manage to balance and balance well. You recently wrote about ways of building community. You of course are the founder of Toronto’s Emerging Writers series. Your Puritan article discusses the joys and pitfalls of building community, and in it you use the phrase “the hard place”: you hoped “you’d meet people who’d understand you and what you describe as a hard place in yourself”. I love this essay. As we close out this interview, I hoped you could talk a little about the hard place.
I think I know what you mean by the phrase, and you don’t need to elaborate, but I wondered if your relationship to it has changed as your life as a writer has become more public. The transition from aspiring to published and awarded comes with its own costs. Have you found this?
Jess: Thanks, Liz! I’m glad you liked the essay.
The hard place for me is this little place inside of me that tells me I will always write, that I’m a writer. It’s the one aspect of my identity that is always consistent. It’s what spurs me on and gives me my sense of self. I know I’m a hard worker, I take pride in being a hard worker, and writing is my work. I hope this means that I will be able to build a life either from writing or around writing, but I know that even if no one publishes me, it will always be something I do and something that contributes to my sense of self. Some people may describe this as confidence. I think it’s different than confidence. It’s a baseline. More than knowing my name is “Jess,” that the word “Jess” refers to me, I know that this place exists in me.
To me, this is separate from any sort of public writing life or awards or publications. It’s a deeply personal and special thing. Of course, with public recognition comes a little validation that you’re doing the right thing, that other people can see it and know that you’re doing good work. But that’s almost an extra. Having the hard place in me has allowed me to not worry too much about whether or not my work fits into the current trends of writing. Having studied literature, it’s obvious that what’s popular changes and what’s lasting remains to be seen. So I’m just going to do what I like, write the type of work I like to write and read, and hope that the enjoyment comes across to other people. After winning an award or signing a contract, I guess all that changes for me is that I start to think, “Oh, ok, people are starting to see this my way. They like this too. Interesting.” But that could all change again in a moment.
This isn’t to say that I don’t have moments of doubt. We all do. Right after I was nominated for the National Magazine Award, I had a huge crisis. It was one of the first times I really doubted the hard place existed. I was happy about the nomination and starting to think about focusing on Pauls instead of the novel I was currently working on. A couple of my male colleagues who I really respected told me I should wait until I was older to publish. One was barely older than I was! It made me desolate. Normally someone else’s opinion about that sort of thing wouldn’t faze me; it might make me a little annoyed, but it wouldn’t put that doubt in me. It made me feel that awards were pointless because it wouldn’t change the fact that I was young and a female writer. There would still not be the same level of respect, even if I was doing good work and working hard. And having the award nomination just meant that people would gossip about me and form these opinions about me, about whether I deserved it, and I had no interest in being the subject of this sort of gossip or these dismissive attitudes.
But then everyone was surprised because I did win. The hard place was restored, as it was the one time I think I needed some external validation for that hard place. I’d been sending work out and getting rejected (as we all do), had never had a paid publication in my life, and all of a sudden I had won an NMA. It changed a lot in my life. I finally qualified for TAC grant, which only requires one paid publication, people were actually reading my work and coming to my readings, people were respecting me for my work instead of just as a promoter, it helped me with my job, and I signed a contract for Pauls. The hard place whispered, “I told you so, Jess, you big idiot.”
People are always going to talk, they are always going to be critical, haters gonna hate. But I know I can’t let it interfere with me and my work. Nothing can interfere with that. And that’s what great about having a hard place … everything else could be gone, they could take away the NMA, the book deal, my job, everything, but I’d still be me. The hard place would still be there. I’d keep trying to communicate and write in anyway I could. I always will. At this point, I’m still emerging, I would hesitate to say I have any real public writing life or that I’m the center of anyone’s focus, but if things were to go that way, the experiences I had over the summer really helped prepare me and reaffirmed why I write and why it’s a necessity.
Read the complete interview here.
Echolocation Magazine (www.echolocationmag.com) publishes fiction, poetry, creative nonfiction, visual art, reviews and interviews. Their joint poetry/fiction contest with Qwerty Magazine on the theme of Doubles closes on December 31.
Check out our Off the Page department for more interviews with NMA winners, including our recent chat with Little Brother magazine publisher and art director Charles Yao.
Writer’s Guide to Canadian Literary Magazines & Journals
Guide to Fall 2014 Magazine Writing Contests