Are you an emerging Canadian magazine illustrator or graphic artist? Have you published your first major piece of visual work in a Canadian consumer or B2B magazine, a university magazine, or an arts journal within the last 3 years? Chances are you’re eligible to be named Canada’s Best New Illustrator from the National Magazine Awards Foundation.
The National Magazine Award for Best New Illustrator goes to the artist whose early work in Canadian magazines shows the highest degree of craft and promise. The award includes a cash prize of $1000, an awards certificate, and nationwide recognition. ELIGIBILITY Eligible work–including illustration, photo illustration, infographics, graphic narratives and digital images–must have been published in a Canadian magazine (print, online or tablet) between January 1, 2014 and December 31, 2016. The work can be a single illustration or a series accompanying an article or editorial package. Candidates must not have published any magazine work prior to 2014. The intent is to restrict this award to students and visual artists with a maximum of 3 years’ experience in professional journalism. One entry per person. See the NMAF’s rules for further information about eligible publications.
HOW TO ENTER Enter your submissions at magazine-awards.com. Submissions may be made by the artist or their art director or teacher, and must include a PDF of the work as well as a letter of reference (see requirements below). The deadline for applications is January 20. The cost to enter is $95 (freelancers who enter their own work may be eligible for the Freelancer Support Fund and an entry fee of just $50). REQUIREMENTS
Upload a PDF of a letter of reference from a teacher, art director, mentor or colleague, which should introduce the candidate to the jury, attest to their eligibility, for this award, and provide context for the work submitted. Both the visual work and letter are reviewed by the judges.
Pay the submission fee by cheque or credit card.
FINALISTS AND WINNERS
A shortlist of up to 5 finalists will be announced in the spring, and all finalists receive a certificate and recognition in NMAF publications and at the gala. The winner will be revealed at the 40th anniversary National Magazine Awards gala. PRIZE
There is a cash prize of $1000 and an awards certificate, and the right to call yourself a National Magazine Award winner. We’ll interview you for our blog and newsletter, and promote you and your work to art directors and magazine readers nationwide. PREVIOUS WINNERS
Recent winners of the award for Best New Magazine Illustrator include Byron Eggenschwilerand Hudson Christie.
Don’t forget the deadline: January 20, 2017.
Ready to submit? Click here. ABOUT THE NMAF
The National Magazine Awards Foundation is a bilingual, not-for-profit institution whose mission is to foster, recognize and promote editorial excellence in Canadian publications. The annual program of awards are presented in the spring and are followed by a year-long national publicity campaign and several professional development opportunities.
Off the Page is a regular interview series featuring National Magazine Award winners. Recently we caught up with Richard Kelly Kemick, who was nominated for 2 National Magazine Awards in 2016–winning the Gold Medal in One of a Kind for his story “Playing God” (The Walrus), a reflection on his singular obsession with building Christmas villages. The story also won him a nomination for Canada’s Best New Magazine Writer.
NMAF: “Playing God,” your story thatwon Gold in the One of a Kind category at last year’s NMAs, was developed at the Banff Centre for Literary Journalism. Can you describe your experience there, and how this somewhat unconventional idea was developed into an award-winning magazine story.
Richard: During my month at the Banff Centre––as every tagline on their website attests––I worked alongside some of the best editors and writers in the business (Ian Brown, Victor Dwyer, Charlotte Gill, to say nothing of the exceptional participants I was writing alongside). What I wasn’t expecting, however, was how affirming it would be for me as a writer.
As I’m sure we all do, I wrestle a lot with insecurity and mediocrity. Banff’s LJ program placed me an environment where I had a month to only write, read, and sit in Michael Lista’s room to watch The Bachelor (he forced us to watch, like, every episode with him). It was an environment which told me––day after day for a month––that as long as I’m writing, I am a writer.
Anytime I get an opportunity to work with an editor, it’s an absolute privilege. The “Playing God” piece was edited, edited, kicked around, and edited again. And while I came to develop a profound hate for the Track Changes bubbles on a word document, my editor, Victor, took the piece from the ramblings of a limp-wristed despot into something with form, narrative, and an actual arc.
NMAF: More recently, your debut collection of poetry, Caribou Run was included in this year’s CBC must-read poetry list. How is recognition — from the NMAF and other organizations — significant to you and your work?
Richard: The CBC list was bizarre. I had no warning; I received an email from my publisher with the link and a note saying “this better translate into book sales” (just kidding, they’re incredibly supportive). It was a very rewarding surprise, just like the NMA.
These types of recognition are indeed significant. So much of what we do as writers is sit at a desk and clack away in an isolation the rest of the world would refer to as cruel and unusual punishment. (If you’re lucky, you’ll have a dog to aid you through this.) Any recognition that someone has actually read your work and––god forbid––actually enjoyed it is inexpressibly quenching.
On the other hand, however, I don’t want to think that recognition objectively signifies quality. There were poetry collections which were far stronger than mine but not included on the CBC list. Same goes for the NMA. A writer once told me that saying you “deserved” to win an award is like saying you “deserved” to win the lottery because you played the numbers well. (That writer was Michael Lista and it was on a commercial break of The Bachelor.)
Rewards are fantastic; anybody who says otherwise is either lying or Buddha. But it’s boom/bust. I was on the boom for a bit. Now is the bust. And I’m finding it hard not to become petty, jealous, and focused on recognition instead of the writing. But I’m trying to work against that, work through it. Because I think there is a name for writers, and the writing they produce, who are like that: fucked.
NMAF: Robert Moore, English professor at the University of New Brunswick, recently wrote apiecefor The Walrus questioning the future of poetry as an art form. In Adam Kirsch’sreviewof The Hatred of Poetry by Ben Lerner, he claims poetry is “the site and source of disappointed hope.” He adds acclaimed poet Marianne Moore’s famous line “I, too, dislike it,” in reference to the craft. You’ve just published your first collection. What inspires you to write poetry?
Richard: As a poet, the perpetual death of poetry is my favourite topic. Yes, poetry now panhandles in the literary ghetto––neighbouring junk mail and the academic essay. Yes, poems gather more dust than acclaim. Yes, when I write “Poet” on credit card applications I all but assure rejection.
I think, however, that this apocalyptic setting is what enables Canadian poetry to be so exciting right now. We have an environment which produces writing, not writers. The pinnacle of this is when writers have brilliant collections (Michael Prior’s Model Disciple, anyone?) without floating off into the ether of poisonous pomp. Because the stakes are hedged, there is a democratizing force in contemporary Canadian poetry, a force which I’m not sure exists in any other commercial genre, a force in which free-verse upstarts and seasoned sonneteers are working within the same circles. Yes, there are politics within the CanPoetry community––just like anywhere. But at least we have the decency to wage our wars in divisive Facebook threads, rather than at the Giller’s or, for example, in a wildly offensive open letter.
I started writing poetry (and still do) because I wanted to be a better writer. Poetry––for my money––is the genre that best develops your craft. The attention to language is merciless, and if you can make fourteen lines of ten syllables each tell a story, think of what you can do with some elbow room!
NMAF: Much of your work centres around animals. How does your love for animals influence your writing, and what inspired the theme of caribou migration in your latest collection?
Richard: I write about animals because I’m unable to convey actual human emotion. Animals provide a healthy alternative. Like, if you’ve got a character that is unlovable but you want to make him lovable but you don’t know how–give him a dog. Then name that dog Maisy. Then let Maisy fool a woman, preferably a public school teacher because of the job security, into a long-term relationship. Then feel safe and loved and statistically unlikely to now die alone as you work on your poems all day, drinking coffee from small cups as your wife toils in a grade one classroom, with Maisy curled at your feet.
The caribou idea was just that I thought the migration was pretty rad and already had poetic elements within it. Four years later (which is about a third of a male caribou’s life), a book! Aim for the stars, kids.
NMAF: Your writing ranges from fiction to nonfiction, poetry to prose — do you have a favourite form? And, if you can tell us, what can we expect to see from you next?
Richard: I don’t have a favourite form. I consider forms like my children: they all disappoint me for different reasons.
I’ve currently got a collection of non-fiction essays (one of which is the piece that won the NMA) under consideration. I’ve also got a collection of short stories that was turned down for publication, but I’ve since been working on it and hope to submit again soon.
I’m trying to view rejection as an opportunity for me to make the work better. In five, twenty, or a hundred years (I plan to live forever), I know I won’t mind having been delayed in publishing a collection of short stories, but I will mind if those stories are shitty. I’m not saying that every rejection a publisher makes is sound; but in this individual case, the rejection has given me the clarity to realize that I can make the stories stronger and (after I’d cried myself dry and drank myself wet) I’m trying to do that.
Richard Kelly Kemick is a National Magazine Award-winning writer whose work has been published in The Walrus, The Fiddlehead, Maisonneuve and Tin House. His debut collection of poetry, Caribou Run,(2016, Goose Lane Editions) follows the Porcupine caribou herd through their annual migration, the largest overland migration in the world. Caribou Run was included as a one of CBC’s fifteen must-read poetry collections. Follow him on Twitter @RichardKemick.
Special thanks to Krista Robinson for her reporting on this interview with Richard.
The 38th annual National Magazine Awards are coming up on June 5 and Canadian magazine creators and readers are getting excited to see whose work will be recognized at this year’s gala.
It’s exciting to see the nominees for our best new creator categories (Best New Photographer or Illustrator and Best New Magazine Writer) as we’re exposed to some of the Canadian magazine industry’s great, emerging talent.
The finalists have been announced and this year’s jury has nominated three finalists for the Best New Photographer or Illustrator award, sponsored by Red Point Media. The winner will be announced at the National Magazine Awards gala on June 5 in Toronto. [Tickets & Gala Info].
Get to know the three finalists for Best New Photographer or Illustrator: Hudson Christie
Gifted with a unique style and creative interpretation of the written word, Hudson Christie has been nominated for the Best New Photographer or Illustrator award after his piece “A Portrait of the Artist With Testicles in Hand” appeared in the Winter 2014 issue of Maisonneuve. Since graduating from OCAD University in 2014, he has also worked with The New York Times, ESPN Magazine and the Association of Registered Graphic Designers.
This illustrator has a distinctive and clear voice that will attract notice from audiences and designers. He uses wit and humour to address a provocative subject and he technique is a fresh and a unique approach to form. — National Magazine Awards jury
His work combines drawing, sculpting, photography and digital media, which he uses to turn theatrical three-dimensional settings into two-dimensional experiences within a magazine. He offers a fresh, new approach to traditional illustration and has a distinct, clear voice that is hard to ignore. Christie is unafraid to push boundaries or take risks with his work and has proven he can approach provocative subjects with wit and humour.
He works hard to ensure the concept precisely reflects the story and has a natural ability to find the most colourful details described in a piece, and then breathes life into them visually. Min Gyo Chung
His sophisticated and elegant approach to illustrating the link between mental health and climate change in the Summer 2014 issue of Corporate Knights is what earned Min Gyo Chung a nomination for Best new Illustrator or Photographer. In addition to Corporate Knights, his work has graced the pages of many other National Magazine Award-winning magazines such as The Walrus, Precedent and Cottage Life.
This entry demonstrated a sophisticated conceptual approach to complex subject matter. The communication is simple and elegant. The content and composition are thoughtfully linked and the image distills ideas to their essential form. — National Magazine Awards jury
Min has been named one of the “100 Best” in Creative Quarterly’s hardcover annual for 2014, graduating from the illustration program at OCAD in the same year. He has won numerous awards including the grand prize in last year’s Adobe Design Achievement Awards and also made CMYK Magazine’s top 100 list of new creatives.
Min’s ability to distill ideas to their essential form and take a thoughtful approach to complex issues help to further distinguish his skills in seamlessly uniting content with composition. His confident and deceptively simple aesthetic of work deceives the audience of his youthful age. Min Gyo Chung is also nominated in the Illustration & Photo Illustration category for “Expos Nation,” which was published in The Walrus. Kiana Hayeri Kiana’s work demonstrates the photojournalist’s instinct to anticipate and frame moments loaded with narrative and meaning, as was shown by her photographs which accompanied the story “Mission Accomplished” in the March 2014 issue of Report on Business. Kiana Kayeri’s photographs, in which she travelled to Afghanistan to shoot, supplement the story of a Canadian cellphone company in Afghanistan.
A young photographer with an old soul. Kiana’s pictures connect beautifully with the story. Alone they could tell a story but alongside the writer’s work they compliment and elevate the story. — National Magazine Awards jury
Since graduating with a Bachelor of Fine Arts from the School of Image Arts at Ryerson University in 2011, she has been featured in numerous exhibitions and has an extensive list of awards and achievements. She has held four solo exhibitions, both in North America and abroad, including one at the Canadian Journalists for Free Expression 2012 Gala at the Fairmont Royal York Hotel. Her work has also been featured in Newsweek, Le Monde, Time Magazine and the CBC.
Hayeri has documented her personal struggle of a family living apart, as she immigrated to Canada from Iran when she was a teenager. She later returned to Tehran, where she began her career as a freelance photographer. She currently resides in Kabul, Afghanistan where she is available for assignments.
Who do you think is most worthy of this award? Leave us a comment or tell us on Twitter: @MagAwards | #NMA15.
You can view the complete articles of all National Magazine Awards nominees at magazine-awards.com. Tickets are on sale for the 38th annual National Magazine Awards gala, Friday June 5 at the Arcadian Court in Toronto. Special thanks to Leah Jensen for her reporting.
Are you an emerging Canadian magazine illustrator, photographer, graphic artist or digital image creator? Have you published your first major piece of visual work in a Canadian consumer magazine, university magazine or arts journal within the last 3 years? Chances are you’re eligible to be named Canada’s Best New Illustrator or Photographer from the National Magazine Awards Foundation.
The National Magazine Award for Best New Illustrator or Photographer goes to the artist whose early work in Canadian magazines (print, online or tablet) shows the highest degree of craft and promise.
The inaugural winner of this award, illustrator Byron Eggenscwhiler, has been nominated for 9 National Magazine Awards in total, winning 5 times, and his work has been published in Cottage Life, Swerve, More, Up Here, Maisonneuve and elsewhere. Read our interview with Byron about his career.
Another winner, the fashion & beauty collective The Coveteur, have been published in Report on Business, Toronto Life and elsewhere. Read our interview with The Coveteur about their creative work. ELIGIBILITY Eligible work–illustration, photo illustration, photography, infographics, graphic narratives and digital images–must have been published in a Canadian magazine (print, online or tablet) between January 1, 2012 and December 31, 2014, and must be at least one full page in size or digital equivalent, a single or series accompanying an article or editorial package. Candidates must not have published any magazine work larger than one page prior to 2012. The intent is to restrict this award to students and visual artists with a maximum of 3 years’ experience in professional journalism. One entry per person. See the NMAF’s general rules for further information about eligible publications.
HOW TO ENTER Enter your submissions at magazine-awards.com. Submissions may be made by the artist or their art director or teacher. Entrants must complete the online application and submit required hard copies (see below). The deadline for applications including all required hard copies is January 19. The cost to enter is only $25 +HST. REQUIREMENTS
Submit in hard copy four (4) sets of original tear sheets and four (4) copies of a letter of reference from a teacher, art director, mentor or colleague which attests to the candidate’s eligibility and provides context for the work submitted. Both the visual work and letter are reviewed by the judges.
Pay the submission fee ($25 + HST) by cheque or credit card.
FINALISTS AND WINNERS
A shortlist of 3 finalists will be announced on May 4, and all finalists receive a certificate and recognition in NMAF publications and at the gala. The winner will be revealed at the 38th annual National Magazine Awards gala on June 5. PRIZE
$500 cash; plus the right to call yourself a National Magazine Award winner. We’ll interview you on our blog and promote you and your work nationwide.
More information and to submit: magazine-awards.com/bnip
Don’t forget the deadline: January 19, 2015.
Are you an emerging Canadian magazine journalist or creative non-fiction writer? Did you publish one of your first major stories in 2014 in a Canadian consumer magazine, university magazine or literary journal? Chances are you’re eligible to be named Canada’s Best New Magazine Writer from the National Magazine Awards Foundation.
The National Magazine Award for Best New Magazine Writer goes to the writer whose early work in Canadian magazines (print, online or tablet) shows the highest degree of craft and promise.
Last year’s winner, Catherine McIntrye, published an investigative story in THIS Magazine about cancer rates in New Brunswick and correlations to heavy industry. Read our interview with Catherine about her story and ambition to become a magazine journalist.
The 2012 winner, Sierra Skye Gemma, published a personal essay about grief in the literary journal The New Quarterly. Read our interview with Sierra about her approach to creative writing and how she came to enter her story for a National Magazine Award.
Previous finalists and winners have been published in Ryerson Review of Journalism, The Walrus, Maisonneuve, Prairie Fire, Chatelaine, Alberta Views, NOW Magazine, Toronto Life, Maclean’s and more. ELIGIBILITY Eligible work must have been published in a Canadian magazine (print, online or tablet) between January 1 and December 31, 2014, and must be at least 1000 words in length. Open to non-fiction work only. Articles published in university/college magazines are eligible. Candidates must not have published any magazine work longer than 1000 words prior to 2013. The intent is to restrict this award to students and magazine writers with a maximum of 2 years’ experience in professional journalism. One entry per person. See the NMAF’s general rules for further information about eligible publications.
HOW TO ENTER Submit now at magazine-awards.com. Submissions may be made by the writer or by their publisher, editor or teacher. Entrants must complete the online application and submit required hard copies (see below). The deadline for applications including all required hard copies is January 19. The cost to enter is only $25 +HST. REQUIREMENTS
Upload a PDF of your story during the online application.
Submit in hard copy four (4) sets of original tear sheets and four (4) copies of a letter of reference from a teacher, editor, mentor or colleague which attests to the candidate’s eligibility and provides context for the work submitted. Both the article and letter are reviewed by the judges.
Pay the submission fee ($25 + HST) by cheque or credit card.
FINALISTS AND WINNERS
A shortlist of 3 finalists will be announced on May 4, and each finalist will receive recognition in the NMAF’s publications and a certificate. The winner will be revealed at the 38th annual National Magazine Awards gala on June 5. PRIZE
$500 cash; plus the right to call yourself a National Magazine Award-winning writer. We’ll interview you on our blog and promote you and your writing across Canada.
More information and to submit: magazine-awards.com/bnmw
Don’t forget the deadline: January 19, 2015.