BizBash magazine has named the National Magazine Awards gala one of Toronto’s top 100 events, #4 in Media and Literary Events for 2013.
We’re honoured to be in the great company of the Word on the Street Festival, International Festival of Authors, and Scotiabank Giller Prize Gala.
This year’s National Magazine Awards gala is on Friday, June 6 at the fabulous Carlu in Toronto. Tickets are on sale now. For a complete list of this year’s nominees, visit magazine-awards.com.
Off the Page appears regularly on the Magazine Awards blog. Today we catch up with Julia Belluz, whose blog–Science-ish–published by Maclean’s, won gold in the inaugural National Magazine Award for Best Blog earlier this year.
NMAF: Tell us a bit about Science-ish, what you consider its publishing niche to be, and who your readers are.
Julia: Coffee is good for your health! Coffee is bad for your health! Vitamin D will save your life! Vitamin D will kill you quicker! I created Science-ish in response to bewildering and contradictory claims like these that float around in the popular discourse.
This confusion doesn’t end with individual health choices. Politicians frequently make assertions about health that aren’t necessarily informed by evidence, as do journalists, celebrities, and anyone who thinks they can get away with it.
So the blog is a sane place where readers can learn about the actual science behind the headlines. My readers tend to be doctors, nurses, students, policy wonks, researchers, and anyone who is concerned about health and science. Continue reading “Off the Page, with journalist and blogger Julia Belluz”
Off the Page appears regularly on the Magazine Awards blog. Today we catch up with Sierra Skye Gemma, winner of the 2012 National Magazine Award for Best New Magazine Writer.
NMAF: Earlier this year you won the National Magazine Award for Best New Magazine Writer for a story called “The Wrong Way” (The New Quarterly), a personal essay and critical meditation on the stages of grief. Tell us a bit about how you developed this story and why you decided to submit it in the annual non-fiction writing competition from TNQ?
Sierra: The Wrong Way came out of an assignment in a Creative Non-fiction course with Andreas Schroeder. I had never written a personal essay before and when I started I wasn’t even sure what I wanted to say. Not exactly, anyway. I looked up Kübler-Ross’s Five Stages of Grief because I thought it would explain my experiences. I thought I could structure my essay according to the stages, but I realized that Kübler-Ross’s theory didn’t apply to my life at all. My essay then developed as a sort of antagonistic call-and-response with conventional grief theories.
I sat and wrote it in two sittings, straight through from beginning to end. I didn’t move things around after that and I barely edited it. That said, I had bits and pieces of it already written. Little vignettes that I hadn’t known what to do with before, like the story of buying my son the fish and aquatic frog. I had also taken extensive notes when my sister died and I wrote down lots of dialogue. Maybe that sounds weird; maybe not, if you’re a writer. But what do you do with a short “scene” between siblings that, when read on its own, seems to make light of the death of another sibling? Well, I guess you build an elaborate home in which it can live. The Wrong Way was that home for many of my disjointed experiences with grief.
I submitted the essay to The New Quarterly’s Edna Staebler Personal Essay Contest because Andreas Schroeder told me to submit it to a contest (and not through the slush pile of regular submissions); he thought the essay was good enough to win. The New Quarterly’s personal essay contest seemed like the obvious choice. The lesson here? Always listen to Andreas Schroeder. Continue reading “Off the Page, with Sierra Skye Gemma”
At last June’s MagNet magazines conference in Toronto, a golden panel of industry experts gathered to present a session called “Going for Gold: How to Create Award-Winning Content,” moderated by Deborah Rosser, president of Rosser & Associates.
The panellists were:
- Carole Beaulieu, publisher and editor-in-chief of L’actualité, winner of more than 50 National Magazine Awards since she became EIC in 1998;
- Sarah Fulford, editor-in-chief of Toronto Life, the most-nominated magazine at last year’s NMAs and former winner of Magazine of the Year (2007);
- David Hayes, freelance writer (nominated for 14 NMAs during his career, winning a gold and a silver award) and member of the board of directors of the National Magazine Awards Foundation (NMAF);
- Domenic Macri, art director at Report on Business and winner of 6 NMAs for his design and creative direction;
- Patrick Walsh, editor-in-chief and brand manager of Outdoor Canada, winner of 21 National Magazine Awards since 1987, and former president of the NMAF.
Risk and Reward: The moderator began by asking each of the panellists to present the story of a challenging piece that won a National Magazine Award, and what lessons they took from the experience.
Sarah Fulford spoke about how breaking the rules helped Toronto Life to a surprise NMA win for best magazine cover of 2008. Sarah said she and her then art director Jessica Rose, whom she hired with this specific challenge in mind, took big risks on a cover about gun violence in Toronto, as they bucked the conventions for cover design with small cover lines and other elements reflecting thinking outside the box. The issue sold well on the newsstand and also impressed the NMA judges that year, as they gave it a Gold.
Domenic Macri spoke in a similar vein about a magazine cover that won Gold the following year, 2009, at the NMAs. The Julie Dickson cover presented a challenge because the editors had agreed not to put her portrait on the magazine cover. Domenic showed the audience several of his drafts and mockups that he went through on his way to finally developing the final cover, saying that what he learned from the experience was although there are certain elements required of a good cover, “you don’t have to take the same approach all the time. I think we won the award because we came up with new directions, and because of the words.”
David Hayes mentioned an episode from 1990 when a feature story he’d written for Toronto Life wasn’t entered for an NMA that year, and after talking with his editor, who said he wasn’t able to enter the piece that year due to budget constraints, he learned that he could enter the NMAs himself. Several years later he took that experience to heart when he again discovered that an editor wouldn’t enter his story, so he entered it himself and it ended up winning Gold. “You never know what the jury will decide,” he reminded the audience, “so as a writer if you are proud of your work you should enter it.”
Patrick Walsh described the story of a controversial article he commissioned about the death of a hunter in Newfoundland, called “Another Fine Day Afield.” As an editor he felt that the story hadn’t been covered well in other media, and though it would be a legal, financial and editorial challenge to pursue the story for Outdoor Canada, he decided to take the risk. The risk paid off when the magazine story he published was picked up by CBC’s The Fifth Estate and NBC’s Inside Edition, and his writer Charles Wilkins won a Gold National Magazine Award in Sports & Recreation.
Carole Beaulieu also touted the benefits of taking risks and believing in the work you produce. She talked about a piece from last year she commissioned from a writer about Pauline Marois. Although Quebec news had been saturated with stories about the premier, Carole felt there was room for more if they could find the right angle and give it the right depth. She sent her writer to spend time with Mdm Marois at her hairdresser’s, achieving a kind of intimate portrait not yet seen, and L’actualité created a newsprint insert–what it is now calling a “mini-book” and making a semi-regular feature for the magazine–to accommodate the 16-page story. And at this year’s NMAs, “L’éttoffe d’un premier ministre,” by journalist Noémi Mercier, won Gold in Profiles.
Quote-Unquote: On the significance of winning a National Magazine Award and why we strive for award-winning content.
Sarah: “An award is useful for communicating to our stakeholders that we are successful. It adds momentum to what we do every day at the magazine… We create content to satisfy our readers, not to win awards. But it is our creators who get the awards and the cash prize, and for an editor, that’s an honour.”
David: “As writers, what we have is our reputation, and what we create should stand on its own. Awards are a feather in your cap, not the cap itself.”
Patrick: “We won because the story was beautifully written, because it was longform [5000 words]… We also took risks and winning the award was a measure of that.”
Carole: “I think we should always believe in what we do. Successful magazine stories have that ‘wow’ factor, and with everything we do we try to achieve that. You know that story matters, that content matters. If you believe you achieved success then you should enter, because then you’ll know if your peers [the jury] agree; that it made them say, ‘wow.'”
The Bottom Line: The moderator asked each panellist to distill one piece of advice for winning a National Magazine Award.
Domenic: Strive for strong collaboration between editorial and art in creating your content. Success is a product of a strong team.
Carole: Don’t take things too seriously. Trust your instincts and never give up on a great story.
Sarah: The most successful pieces are the ones where the creators were passionate and took risks.
Patrick: Be strategic, because the more you enter the more you are likely to win. If your aim is to win awards then enter as much as you can.
David: Advice to writers: write well. And advice to editors: hire writers who write well.
In Summary: Accept challenges, take risks, think differently, be passionate, find (or be) the best creator, work together, never give up on a good story, believe in your work and enter as much as you can. That, and always strive for the ‘wow’ factor!
On behalf of the Canadian magazine industry, thank you to the panellists for sharing your wisdom.
The coveted award for Magazine of the Year is the most prestigious award bestowed upon a Canadian magazine. At this year’s National Magazine Awards, the winner of Magazine of the Year was Corporate Knights.
Known as the magazine for clean capitalism, Corporate Knights is published 4 times per year by Corporate Knights Inc. It is published as a quarterly insert in the Globe and Mail and Washington Post. As one of the world’s largest circulation (125K+) magazines focused on the intersection of business and society, CK is the most prominent brand in the clean capitalism media space.
Founded in 2002, Corporate Knights tirelessly works to shine a light on sustainable businesses and government practices through a mix of news, analysis, commentary, features and original research. Known for their much-anticipated rankings that measure the sustainability performance of various institutions, places and investment funds, the magazine also walked the talk. Following the same environment and social standards it celebrates, it became the first business magazine to become a Certified-B Corporation. After the arrival of a new editor in chief and designer/senior art director, 2012 saw some more big changes and the magazine’s look and feel was revitalized. Over the year, Corporate Knights attracted top-notch freelancers and illustration talent as well as launched a new digital magazine app, enabling them to build their global subscriber base.
Discover more at corporateknights.com. And congratulations to this year’s Magazine of the Year!