“Anything in terms of taking a risk and getting the story (makes for great storytelling); risks in terms of on-scene reporting and even risks in terms of how you tell the story, the structure of the piece as well as what details you decide to pick to show in the scene. (Another successful risk is in) finding someone to talk, someone who would trust you enough to tell you their story, even whistleblowers who will tell you their part of the story; that’s always tough to do. ”